P hotographing and/or videoing interiors and exteriors is part of the service we offer. Shooting buildings is part of what we do. Using the most up to date equipment and techniques we can create exceptional images that suits your every need.
We will often work “tethered”. This is where the photographer controls the camera with an iPad, the client can also be given an iPad and can view the images as they are being created so they can give feed back or ask for changes straight away. This speeds up getting the process and can make sure you are happy with the images before we have left the building.
Architectural photography is typically created from either the exterior views of buildings, or in the interior of buildings. The techniques used in each of these types of photography are similar, but do have some difference and sometimes require different equipment.
Exterior architectural photography usually takes advantage of available daylight, or if performed at night, uses ambient light from adjacent street lights, landscape lights, exterior building lights, moonlight and even twilight present in the sky in all but the darkest situations.
In many cases, the landscape surrounding a building is important to the overall composition of a photograph, and even necessary to communicate the aesthetic harmony of a building and its environment. An architectural photographer will often include flowers, trees, fountains or statues in the foreground of a composition, taking advantage of their ability to help lead the eye into the composition and to its main subject, the building.
Interior architectural photography can also be performed with ambient light transmitted through windows and skylights, as well as interior lighting fixtures. Frequently though, architectural photographers will use supplemental lighting to improve the illumination within a building. Either electronic flash “strobes” or incandescent “hot lights” can be used.
SO TELL ME ABOUT 'BUILDINGS'?
Photographing BUILDINGS requires skill to do it well. It requires technical knowledge and specialised equipment.
A tenet of architectural photography is the use of controlled perspective, with an emphasis on vertical lines that are non-converging (parallel). This is achieved by positioning the focal plane of the camera so that it is perpendicular to the ground, regardless of the elevation of the camera eye. This result can be achieved by the use of view cameras, tilt/shift lenses, or post-processing.
Traditionally, view cameras have been used for architectural photography as they allow for the lens to be tilted or shifted relative to the film plane. This allows for control of perspective, as well as a variety of creative possibilities.
In a similar fashion to landscape photography, a deep depth of field is usually employed so that both the foreground and background (to infinity) are in sharp focus.
More recently, digital single lens reflex (DSLR) cameras have been used in the field of architectural photography. These cameras also employ detachable, tilt-shift lenses of varying (usually fixed) focal lengths.
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